comedic improv takes on many forms. literally! improv forms provide structure to an art form that otherwise is as structureless as a swedish jellyfish.
say for instance you and i are doing a scene where you play a fireman and i'm your incompetent, easily-distracted boss. our scene finds us speeding down a city block to put out a fire, but i want to stop and get a free cone at ben & jerry's because i happened to have voted earlier that morning. in an act of blind loyalty, you join me in line.
this scene could go on forever, of course, but what should happen is that it gets "edited" and a completely new scene starts (maybe at a zoo). now, depending on what kind of form we agreed on beforehand, another member of our group could initiate a scene where we revisit our established hapless fireman and child-like boss characters. and our group would be on the same page because the form called for it. so there you go. improv exposed (wipes hands clean, takes sip from ssips box).
la ronde (french for, the round) is an improv form inspired by the max olphus film from 1950. the movie consists, essentially, of two-person scenes where the first character to enter is the first to leave and a new character is introduced in a new scene with the second character from the first scene. this goes on for 1.5 hours where ultimately, things come full circle. you can see how this can be used in improv.
the table-mannered dog in the picture above is the only character not a part of the 'la ronde', though his scene with the boozed up count is most enjoyable. as for the rest of the movie, people come and people go, some you are happy to see exit where others you wish could stick around a bit longer. one of these is simon simone's chambermaid. straight fire.
wish this movie was funnier. but i guess that's not fair to mr. olhpus who never asked to be the founder of a comedic improv form.
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